JULIUS CAESAR • The Acting Company/Guthrie Theater
"...in a staging that generally renders a clear, crisp and compelling reading of Shakespeare's story...Cassius [is] played with an effective, cool oiliness by Sid Solomon..." - Dominic P. Papatola, St. Paul Pioneer Press
THE COMEDY OF ERRORS • The Acting Company/Guthrie Theater
"Sid Solomon, familiar to Twin Cities audiences for several years, has a great comfort with Angelo - a slick sideman full of Jersey style." - Graydon Royce, Minneapolis Star Tribune
ROMEO AND JULIET • The Acting Company/Guthrie Theater
"Sid Solomon gave [Mercutio] a swagger and arrogance you loved as much as you hated." - Kathleen Allen, Arizona Daily Star
WARD 57 • Florida Stage
"Sid Solomon as the young, fast-talking Hollywood movie deal man bears just a trace of the savvy of a used car salesman...the stereotype is perfect for the role." - John Lariviere, Talkin' Broadway
THE WATSONS GO TO BIRMINGHAM-1963 • The Children's Theatre Company
"A road in Alabama in the Civil Rights Era. Four African American men in a car. A redneck cop [Sid Solomon] eager to abuse his power. So powerful was this scene in CTC's adaptation of Christopher Paul Curtis's novel that some viewers left at the end of the night wondering whether children should be exposed to such things. I walked out thankful that my child had witnessed a portrayal of bigotry and injustice so unsparing, so real, and so shocking that she understood in an instant that racism springs from the weakest and most despicable corners of our souls." - Quinton Skinner, from City Pages' Top 10 Shows of The Year
BECKY'S NEW CAR • Park Square Theatre
"Supporting players provide much of the liveliness...Sid Solomon is Chris, Becky and Joe's son. A slacker grad student, he enunciates pop psychology theories with such investment that he makes Woody Allen's name flash through the mind." - Graydon Royce, Minneapolis Star Tribune
HERSHEL AND THE HANUKKAH GOBLINS • Minnesota Jewish Theatre Company
"Sid Solomon plays Hershel with a twinkly, wide-eyed performance that lets the young audience know he's on their side. Having worked at the Children's Theatre Company, Solomon knows his job is about wrangling the young audience even as he's playing to them, encouraging them to participate while assuring that they keep —
as one teacher instructed before the show started — 'calm bodies.'"
- Dominic P. Papatola, St. Paul Pioneer Press
as one teacher instructed before the show started — 'calm bodies.'"
- Dominic P. Papatola, St. Paul Pioneer Press
